18-6-15
I was anxious to witness the object Professor Chaouli
described before our trip to Sachsenhausen Concentration Camp. The object was in one of the two remaining
Jewish barracks of the former Nazi concentration camp. I walked up to the display of the object and
found that it was a scale model of the camp facilities and its perimeter. I was astonished to find how similar his
scale model was to the one by the information center. The triangular shape of the model seemed to
be identical to the one I had seen upon arrival, and the thin pieces of wood (like
Popsicle sticks) he used for fences were placed with such precision. I snapped a quick photo and then began
looking at the object. I was struck by
all of the color, especially green.
Actually, green seemed to be the color that dominated the entire scale
model except the red of the guard towers and tan that represented the
soil. The roofs of the barracks and all
the vegetation surrounding the facility, (which was made from foam from a sofa
or bed and dotted with paint), were green. I was aware that the artist had been
a prisoner at the camp, so I was confused as to why he would represent such an
eerie and dreadful place in this way. In
fact, his model actually reminded me of a painting of my family farm back home,
which brings to mind warm and pleasant feelings. On the train ride back to the
hotel, I was thinking of the green color that dominated the model. The color
green and vegetation may symbolize life. Why would the artist use this color
that represents life to portray a place that is synonymous with death? The only
explanation I could come up with is that even though Sachsenhausen was a place
of misery and death, plenty of life was still within and beyond its walls. This was a way for the artist to say I
persevered, I survived.
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